Friday 17 November 2023

Book Week, Scotland

I am absolutely thrilled and delighted to have been invited to be a part of Book Week, Scotland. I hope to see you there! 

Wednesday 1 November 2023

Just James

James, somewhere on the autistic spectrum, is heartbroken when the object of his admiration doesn't reciprocate his feelings

Monday 30 October 2023

It's a sell out!

Over the weekend I took part in a book signing event and was delighted to sell out of The Boy Who Rescues Pigeons. So I will be placing a new order for more copies. Please contact me at if you would like to purchase a signed copy of any of my books.

On the 28th October, I also brought out the second edition of The Owners, Volume 2: Storm Clouds. Since most books are now bought as ebooks, I have a couple of copies of the first edition of this book left. Only 200 copies of the first edition were ever printed, so these are now a limited edition. Please contact me to purchase a signed copy.  

Wednesday 18 October 2023

CURSED - out now!

 I'm delighted to tell you that Cursed is now available to buy. You can find it on Amazon or contact me to request a signed copy. 

Thursday 14 September 2023

I've been a little quiet recently. Here's why...

I've been busy publishing books and preparing even more books for publication. 

Working with the amazing performance chef and former athlete, Zena Weeks, we have brought out the recipe book Recipes for Performance Sports.

It has been carefully crafted for performance athletes but in actual fact the recipes are so healthy and nutritious, they are great for everyone. 

You can order your copy by clicking on the link above. 

Thursday 31 August 2023

The Crown Series 4...

Let me start by saying that I'm not a huge fan of period drama. I watched quite a bit of it when I was in my teens and the choice of TV viewing was limited to what broadcasters decided to transmit, so up until now I have only dipped in and out of series 1-3 of The Crown. But Series 4 came with the promise of a period of history I actually knew about first-hand. I had lived though it, so my curiosity was aroused. I'd seen the sumptuousness of previous episodes of the show and the stellar performances of the cast in a variety of other roles so my expectations were high.

Any dramatisation of real events is made by merging the representation of the facts and the interpretation of them by the writer, the director and the producers. So in order not to be swayed in my judgement of the series by my memories of that time, I watched an episode and then the real footage before and again after, for comparison.

What struck me straight away was that The Crown has been made with the advantage (it could be argued, disadvantage) of very long-reaching hindsight. As such it represents key figures - Charles and Diana - as equally complicit in creating a fiction for the nation. In particular, it portrays Diana both as fundamentally dim and/or naïve, whilst also being manipulative and cunning. In truth it's difficult to see how she could be both dim and cunning simultaneously. 

I was a teenager when Charles and Diana married and these scenarios played out in real life. Whilst I've never been particularly interested in the monarchy, nor a fan of them in general or of Diana in particular, like every young girl of the time I followed the romancing of the Princess-to-be and watched the royal wedding. I saw the camera footage that captured Diana's doe-eyed gaze upon her future husband, the seemingly shy girl who was still willing smile for everyone she met. And I saw the way Charles seemed genuinely taken by her. 

In The Crown, Diana's coyness is over-egged. Forced even. She appears to already know her eventual fate of readily discarded and unloved wife, not to mention the legacy she will leave behind her with her premature death. Every scene is over-played for more than it's worth... and then some. 

For younger viewers or those who have no first-hand recollection of this period, and in particular for those not residing in the UK, it might seem that the writing was on the wall. Indeed in many scenes the viewer almost feels as if there must surely be a violinist waiting in the wings for a grand entrance. Whilst I am no real fan of the monarchy, I admit to feeling uneasy that  Diana is made out to be a simpering, cunning yet whimpering ingenue, whilst Charles seems torn between his heart and his duty. 

What is represented on screen is a duplicitous relationship where both parties seek only to fulfil their own needs and wants. And in that, perhaps in truth  it is no different to any real courtship. Except for one thing. Re-watching the real archive footage I couldn't help but believe both Charles and Diana entered into marriage in the belief that they could make it work. Yes, we all know in hindsight that Charles still had a dalliance (for lack of a better word) with the very married Camilla going on at the time, but let's face it, he wouldn't have been the first man to believe that he could get over one woman by getting under another...

The script has been well written, the dialogue realistic and all too plausible and I cannot fault the amazing performances by the excellent cast, which includes Olivia Coleman. Therefore I feel the fault is in the direction. The too-simpering coy looks of Diana, the hesitant, falseness of Charles, the almost tally ho attitude of Camilla's every scene. 

It's not the words they speak to one another that rings so untrue, it's the tilt of their heads, the arch of their backs, the tell-tale signs that they don't believe a word they utter. And that, dear friends is what happens when you already know the ending of a story. Charles couldn't fall in love with Diana because he couldn't fall out of love with Camilla. Diana died. The rest, very literally, is now history and Camilla is now Queen Consort. 

But did this little triangle of human beings know that's how things would turn out? Could they have had any inkling? Of course not. Sad to say that if the direction had been played differently I would be raving about The Crown Series 4. Unfortunately it wasn't, and I'm not. 

Thursday 17 August 2023


Recently I was asked to write a few lines about what libraries meant to me as a child, for a publication. This is what I wrote: 

I was a voracious reader as a child, and tackled books that were far beyond expectations for my age. 

Libraries were my salvation. There, amongst the scent of wood and polish, the librarians with their hair held tightly back in a bun and stacks of books that never judged me for the poverty that prevented me from buying fresh, crisp books, I lost, and found myself.  

But writing those few lines made me think. I've spent a lot of time writing books over the past decade and a half, and I've watched prices creep up on everything from petrol to bread. Has it had a knock on effect on my sales? Well yes. But I'm no longer chasing the dream. I don't have to. So instead of raising my prices in line with inflation, I'm going to do the opposite...

On the 15th September the price of Split Decision (ebook) will lower on to 99p and on to $0.99, for a short period of time. Likewise you can now pre-order the 2nd Edition of  The Owners, Volume 2: Storm Clouds for 99p. Cheaper than a 2 for 1 deal!

Happy reading. 

Thursday 15 June 2023

Why I do what I do

Two weeks ago I released the family drama The Boy Who Rescues Pigeons. It was to be my third book release of 2023. (I wrote about my inspiration and reason for this book which you can find if you scroll down a few posts.)

Somewhere between releasing the dystopian science fiction novel Future Imperfect and The Boy Who Rescues Pigeons I realised I needed help. If you've been following my books, you'll already know that all my profits go to animal charities, animal rescues and children's charities, so paying for advertising has always been contra-intuitive for me. I wanted to be able to give money to the various global charities and rescues, and I couldn't do that if I was spending the money on advertising... But sales were less than great. And little money coming in meant that little money could go to good causes. 

And then a strange thing happened. The interest in The Boy Who Rescues Pigeons was obvious, even before I released the book. This interest has far outweighed any of my other books and the love that I have felt from readers and other authors has taken my breath away. Two in particular have been a great source of information on marketing and advertising, things I'd never really done before. Between them they have advised me on a variety of marketing approaches, all of which I'm trying out. Hopefully the money spent on advertising will generate more money that I can use to help save and improve animal and children's lives. 

So why do I give my profits away? Well I'm naturally frugal (some would go so far as to say tight), but I prefer the term careful. I'm not a shopper, I don't eat meat and I don't like fine wines. I'm generally happy with a Greek salad and a shandy. I don't often go on holiday as I have a low boredom threshold and I miss my pets too much and I have no expensive hobbies. Sounds boring, right? Well it probably is to most folks. 

But it serves my purpose. Back when I published my first few books, I stood in the middle of the Bromsgrove branch of WHSmith and sold signed copies and every penny of profit went to a charity to support a young, disabled local girl. Being able to help her and her family in this small way made me feel a hundred times better than any material possession could ever have done. So it's not an entirely altruistic one-way transaction. I get something from it too. If I can save one cat/dog/squirrel/pigeon or help a child, then my time on this earth will have had a greater purpose. And that's what drives me. 

Since I began writing, I've used my profits to help a number of other charities globally. I've never given more than £50 at a time to any cause, so we're not talking life changing sums of money for them, although I hope one day to be able to do that, but it's enough to help ease their struggle just a little. And sometimes that's the difference between an animal being rescued or not. A life being saved or not. 

Many of my books deal with social issues. Jigsaw Girl (currently reduced to 99p) deals with teenage peer pressure, guilt, self-esteem issues and cutting, Split Decision deals with coming of age insecurities, pressures and dangers, and The Boy Who Rescues Pigeons deals with isolation, lack of understanding, loneliness and a social inability to fit in. They are things that most of us will encounter in one way or another during our lifetime. Life can be tough. My books are not self-help manuals, they are compelling stories that I hope help people make sense of the world around them; that let readers see that they are not alone; and that have the power to make people really stop and think. 

So now that you know all about why and what I write, I do hope you'll take a look at some of my books. Your purchase will help change the world just a little. Doesn't that sound like a good enough reason to buy?


Wednesday 14 June 2023

Monday 29 May 2023

About the release of The Boy Who Rescues Pigeons

 A lot of people have asked me why it's taken me so long to release The Boy Who Rescues Pigeons. The answer is simple and yet exceptionally emotionally complex. 

I wrote the book back in 2009 or thereabouts and edited it ready for publication. But I didn't publish it. I couldn't. I wasn't emotionally ready. But I am now. 

The story centres around Lucas Reverential Pertwee - an unusual boy in an unusual situation. Lucas finds and takes in an injured pigeon and in caring for and helping to heal the bird, he manages to emotionally heal himself. The character of Lucas is based upon me and my eldest child, Ryan. We are both raw, bleeding hearts when it comes to animals. 

But the core of the story is actually about my dad. Or rather my step-dad, Gerald McCammick. He took me in as his daughter when I was six and strove to provide a physically safe environment for me. I make the distinction here because ours was not always an easy relationship. Both of us were emotionally scarred by life and there are things that regardless of how hard you try, you never fully recover from. So we trundled along with the occasional drunken rage on his part and teenage truculent slamming of doors on mine. 

I'm not seeking to trivialise these moments. They were part of our lives. A big part. But they also never really shook the bedrock that our made-family was founded upon. We both knew we loved each other. 

Of course there is much more to this story than I've put down upon this page. But that is for another time. Or perhaps never. 

When I wrote the book I told my dad that I was dedicating it to him. He just smiled and said, "Oh aye, very good Carmen." But I know how much it meant to him. It didn't matter that I couldn't bring myself to publish it for so long. We both knew the dedication was forged in each line of text I'd written. Publishing the book wouldn't give it any more validation than it existing in the first place. And when my dad died a few years ago, it didn't matter that I still hadn't brought out the book. The time wasn't yet right. 

So what made the time right now? I don't honestly know, except that deep inside I recognised the change. I'm 56... and six. I'm still that little girl. I still rescue pigeons. 

The Boy Who Rescues Pigeons is available from June 1st, in time for ordering for Father's Day. Take a look at all my books here.


Monday 8 May 2023

Monday 10 April 2023

New release. Future Imperfect


When a young Alpha’s fiancé is injured and declassified to a Delta by ELSA, the dome’s Enhanced Living System Autonomy, she has to set out across the ravaged world to bring him safely back. Luckily Fortitude Smith isn’t just any ordinary Alpha. Unfortunately ELSA isn’t what it appears to be either.
From the author of Split Decision and Ascension, comes a brand new sci-fi novel, Future Imperfect, that will captivate and enthral science fiction readers worldwide.
In this dystopian future, people live according to their birth classes. Beta and lower live in the outside world, whilst Alphas are protected in the dome, watched over by ELSA – the dome’s AI. But ELSA has more than one secret.
Part of a new duology, Future Imperfect is an insight not just into the fruitful imagination of its
author, but highlights a very realistic and plausible future world.
“Technology has moved on in leaps and bounds in my lifetime and the development of artificial intelligence has been simply astounding. I actually wrote this book about 10 years ago and back then AI was almost in its infancy compared to where it’s at now. And so my vision as well as other truly visionary authors is on the cusp of being realised.
There is so much tech in the world that sometimes I fear losing our humanity is inevitable. I can only hope that the world envisaged in Future Imperfect and Future Perfect do not come to pass,” Capuano says.
Capuano is no stranger to conflict within her books and indeed the lives of her characters. Known for her perception and sensitivity to her characters and their situations, Future Imperfect promises to be as perceptive and engrossing as her other books.
Future Imperfect is out now and available now in print and ebook versions from Amazon, Barnes and Noble and other reputable online book retailers.
If you enjoyed Split Decision or The Owners by Carmen Capuano then you’ll love Future Imperfect.

Thursday 16 March 2023

 NEW BOOK, ‘Family: Life’, explores the duality of its themes with passion and rare insight. 

With her latest book, author Carmen Capuano takes the reader on a journey both exciting and insightful.  Delivering a heart-wrenching story about infertility wrapped inside a wider arc of themes of conservation and animal rights, Capuano has the reader swaying from one viewpoint to another, one heartfelt belief to another.

 Adapted from the screenplay of the same name by Paul F. Gorlinsky, Family: Life powerfully examines the desperate need for a child and weighs it up against prevalent contemporary beliefs.

It was important that the reader was able to see all the intricacies of both sides of the story and also to experience it through the eyes of the main character of Barbara Lingorsky,” Capuano says. “Barbara’s desperate need for a child becomes all-encompassing and it’s this which drives her narrative.” 

Capuano is no stranger to conflict within her books and indeed the lives of her characters. Known for her perception and sensitivity to her characters and their situations, Family: Life promises to be no less engrossing and controversial than her other books.

Family: Life is priced at £2.50 (ebook) and £8.50  (paperback) and available now in print and ebook versions from Amazon, Barnes and Noble and other reputable online book retailers.

One pair of primate conservationists desperate for a child. One perfect solution.

Primatologists Vlas and Barbara Lingorsky are fully aware of the importance of their work as research scientists in the Rwandan jungle. And of the danger it puts them in.

When poachers kill an infant gorilla, Barbara is forced into consideration of her biological clock and the memory of the loss of her own child. With Barbara now unable to bear a child naturally, events seem to take on a momentum of their own. It’s not too long before her longing for a family overflows into her everyday life, and the perfect solution presents itself…

If you enjoyed Planet of The Apes by Pierre Boulle or The Owners by Carmen Capuano then you’ll love Family: Life.

Saturday 30 July 2022


Today, with big news on the way, we've been working hard to set up the socials for  Emmeline Productions. You can now catch us on InstagramTwitter and Facebook just by searching for Emmeline Productions. 

We have big news coming, so make sure not to miss out! 

Happy reading!

Wednesday 16 March 2022

An audio reading of Split Decision...

With thanks to Wine & Words and the amazing Sarah Jane Rose. 

Listen to the interview and hear the book here. 

Note: the reading follows the interview. 

Happy listening. x

Wednesday 11 August 2021

Who am I?

I'm Carmen Capuano. When I was five years old I saw my father smash my mother’s front teeth right out of her mouth. And the saddest part of that statement, is that I’d already seen it all before.

I’m a survivor.

One of life’s hanger-on’s, a refuser of taking the easy-way out; I’m the one who won’t give up. The one who will keep fighting, even when others would admit defeat. Because if I do, if I actually give up, I’m not sure what will be left for me.

Maybe nothing. So that’s why I write.

I write to prove I’m still alive.

Jigsaw Girl is, I believe, one of the finest and most heart-rending books I have written. Every line of dialogue, every situation she finds herself in, every time she has to fight just for survival, these are the hallmarks of her life. And I understand them so well.

I’m neither black nor Asian, but I was raised in poverty, dragged up in the unforgiving streets of Glasgow, daughter of an Italian, wife-beating, gambling father, and an ineffectual mother. You think misery belongs to the ethnic minorities? I’ll tell you now that it doesn’t.

But I don’t tell you this to garner your pity; I tell you to let you see who I am. These are my qualifications for writing this story, my badges of dishonour.

Look at me, look at my pictures – you will only see what I allow you to. But read my stories and you are let into the depths of my soul. It may not be a nice place to be, but God help me, it’s real. 

To date I have written 27 books, only six of which I have published. They cover most genres because that’s how real life is – hard and gritty but also bizarre and full of unexpected twists and turns.

So why should you chose me, out of all the writers out there? Maybe because I can tell a good story. Maybe because I’m a workaholic. Or just maybe because I’m a tortured soul.

And if there’s one thing human nature loves, it’s vicariously experiencing someone else’s misery - viewed from a safe distance of course.

Roll up, roll up, come see the freak show.

But that’s not all of me. I’m deeper than that, at least.

You will find me charming, honest, hard-working and conscientious. The raw terror at life is hidden, the pain subsumed, condensed, spat out onto the pristine page.

You want to know how real life can get?

The book is open, all you have to do is read…

Welcome to Jigsaw Girl.     


Sunday 6 June 2021

 Another review for The Owners is just in: -

The Owners: Alone

Carmen Capuano

Carmen Capuano brings us a different kind of sci fi dystopian adventure with The Owners: Alone!  In an effort to save her young hatchling friend’s freewill, fourteen year old Loni sets out on a dangerous journey.  Little do they know, there is someone across the world that shares their reservations about their society, someone that will change their fate forever.  Capuano’s sci fi dystopian drama instantly felt fresh with its interesting world lore and loveable characters!  I especially connected with Loni and Little’s bond and the overall exploration of the value of humanity.  If you love dystopian fiction with depth and a more upbeat message, definitely come check out The Owners: Alone!